Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
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Domenichino Madonna and Child with St Petronius and St John the Baptist dg oil painting


Madonna and Child with St Petronius and St John the Baptist dg
1629 Oil on canvas, 430 x 278 cm Galleria Nazionale d'Arte Antica, Rome
Painting ID::  6422 		Domenichino
Madonna and Child with St Petronius and St John the Baptist dg
1629 Oil on canvas, 430 x 278 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
Domenichino The Sacrifice of Isaac ehe oil painting


The Sacrifice of Isaac ehe
Oil on canvas, 147 x 140 cm Museo del Prado, Madrid
Painting ID::  6423 		Domenichino
The Sacrifice of Isaac ehe
Oil on canvas, 147 x 140 cm Museo del Prado, Madrid
   
   
     
Domenichino A Sibyl dtj oil painting


A Sibyl dtj
1616-17 Oil on canvas Galleria Borghese, Rome
Painting ID::  6424 		Domenichino
A Sibyl dtj
1616-17 Oil on canvas Galleria Borghese, Rome
   
   
     
Domenichino The Cumaean Sibyl ertw oil painting


The Cumaean Sibyl ertw
c. 1610 Oil on canvas Pinacoteca Capitolina, Rome
Painting ID::  6425 		Domenichino
The Cumaean Sibyl ertw
c. 1610 Oil on canvas Pinacoteca Capitolina, Rome
   
   
     
Domenichino Saint Agnes drtw oil painting


Saint Agnes drtw
c. 1620 Oil on canvas, 213,4 x 152,4 cm Royal Collection, Windsor
Painting ID::  6426 		Domenichino
Saint Agnes drtw
c. 1620 Oil on canvas, 213,4 x 152,4 cm Royal Collection, Windsor
   
   
     
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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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